
(2011) DreamWorks.
Based
on a novel by Kathryn Stockett, THE HELP would almost
seem to be yet another film about bigotry and racial
equality where the main characters are usually portrayed
in a very shallow or black and white manner. On the
contrary, the film is most vivid in its telling of a
young woman, Eugenia Skeeter Phelan (Emma
Stone), a wide-eyed young writer whose hopes of being a
journalist for a big New York publishing company are
foredoomed to failure because of her lack of experience.
Undaunted she finds herself returning to her hometown of
Jackson Mississippi (circa 1963) where she lands a job at
a local newspaper. Employment writing a rather dull
domestic maintenance column for a small local
paper serves as a temporary milieu, but soon she realizes
that there are more important issues that need to be
addressed. Skeeter later becomes cognizant of the fact
that her rich, bigoted friends are abusive, coarse and
insulting to their hired household help (this was a sad
time in our history prior to the civil rights movement
when blacks were not allowed to use the same bathroom
facilities as whites, go to the same churches, schools,
etc. Even owning or reading, much less writing a book on
social equality meant eventual imprisonment). |
| When she meets two black
domestics, Aibilene Clark (Viola Davis) and Minny Jackson
(Octovia Spencer), she attempts to interview them and put
into writing their feelings not only about their
positions in society, but how they really feel about
their rich employers, and at the same time delve into
their inner feelings. The results are inspiring, touching
and maddening even though Skeeter knows exactly what the
consequences of her upcoming publication might be. What
follows is a human interest drama of courage,
strength and a genuine heartfelt feeling for our fellow
man told exquisitely throughout the picture. |
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| True, there have
been some great movies in the past about racial equality
(Imitation of Life, Guess Whos Coming
to Dinner, A Patch of Blue, etc.), but THE
HELP is one of the best. Every aspect of the picture
including the cinematography, the rich characterizations
(a rarity in movies these days), the story and the
direction by Tate Taylor (I Spy and
Planet of the Apes) are sublime. His ability
to capture Jackson, Mississippi almost fifty years ago
with unerring accuracy proves that he really did some
research prior to shooting. Incorporating popular music
of the sixties (i.e. Chubby Checker and Bob Dylan) adds
authenticity as well. Emma Stones excellent
portrayal of Skeeter Phelan does credit to
this wonderful main character. You find yourself rooting
for her as she becomes the embodiment of the heroic
crusader of the piece while Viola Davis Aibilene is
deserving of a Best Actress Academy Award and Octovia
Jacksons Minny is another Oscar worthy performance.
Bryce Dallas Howard (director Ron Howards
daughter), is exceptional as the bigoted rich snob Hilly
Holbrook, whose eventual comeuppance proves to be a
highlight of the film. Another role well worth mentioning
is played by Jessica Chastain, as the rather flighty,
Marilyn Monroe-like Celia Foote, who hires Minny as her
maid. Minny soon becomes Celias guiding
light and helps Celia through her many personal
problems. |
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Other nods of approval must go
to veterans Sissy Spacek as Mrs. Walters (Hilly
Holbrooks lovable mother who steals every scene she
appears in) and Cicely Tyson as Constantine (the woman
who virtually brought Skeeter up since she was a baby).
Both are excellent, however, the lovely Mary Steenbergen
is sadly wasted in a small role as the New York
publisher.While I have not read THE HELP, I cant
see how the book can be an improvement (although they
generally are) over the movie. Apparently, the novel was
rejected 60 times before it was eventually published and
I, for one, will definitely include it on my must
read list. As it is, THE HELP will definitely be
cited as one of the ten best pictures of 2011 and
hopefully will garner numerous awards. |