
(1936) United Artists.
Produced
by Samuel Goldwyn. Directed by William Wyler. Based on
the novel by Sinclair Lewis. Screenplay by Sidney Howard.
Associate Producer: Merritt Hulburd. Art Direction by
Richard Day. Music by Alfred Newman. Costumes by Omar
Khayyam. Photography by Rudolph Mate. Edited by Daniel
Mandell. Assistant Director: Eddie Bernoudy. Sound by
Oscar Lagerstrom. Special Effects by Ray Binger. 101 min. |
| If there ever was a motion
picture that was deserving of an Academy Award as best
picture and didn't get it, then DODSWORTH would be a
prime example. Based on the 1929 novel by Sinclair Lewis
and adapted from Sidney Howard's stage play, this story
dealing with the marital problems of a middle-aged couple
certainly didn't seem like a likely box-office prospect
in 1936. It took producer Samuel Goldwyn's uncanny
foresight to bring Lewis' work to the screen despite
unanimous refusals from the other major studios. As
director for the film Goldwyn chose William Wyler, a
perfectionist who labored greatly, bringing forth a
photoplay dealing with infidelity resulting in adult
romance at a time when the Hays Office was at it's most
imposing. It's easy to see why the producer had such high
regard for Wyler considering the later top-notch vehicles
he was awarded. Following his two greatest triumphs at
Universal for `Counselor at Law' (1933) and `The Good
Fairy' (1935), Goldwyn signed him exclusively to his
studio. What followed was a countless number of cinematic
gems such as `These Three' (1936), `Dead End' (1937),
`Wuthering Heights' (1939), `The Westerner' (1940), `The
Little Foxes' (1941), and `The Best Years of Our Lives'
(1946). |
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| For the primary
roles in DODSWORTH, Goldwyn chose Walter Huston, Ruth
Chatterton and Mary Astor, whose careers were all
slipping considerably at the box-office. Aside from
Huston's role in his son's `Treasure of the Sierra Madre'
(1948), the three leads all turn in probably the best
performances of their careers! Others in the cast deserve
similar recognition including Maria Ouspenskaya (in her
first film), Paul Lucas and David Niven. With all the
extraordinary talent evident in DODSWORTH it only
received one Academy Award for Richard Day's unmatched
art direction. Walter Huston was nominated for best actor
in his role as Sam Dodsworth but lost to Paul Muni's
performance in `The Story of Louis Pasteur'. |
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Other nominations went to
Maria Ouspenskaya for best supporting actress, William
Wyler for best director, Sidney Howard (who later adapted
`Gone With the Wind' to the screen) for best screenplay,
Oscar Lagerstrom for best sound recording, and best
picture, which went to MGM's `The Great Ziegfeld' with
William Powell and Louise Rainer. Although they too also
deserved similar accolades, Ruth Chatterton (in her last
Hollywood film. . .alas!) and Mary Astor weren't even
recognized by the academy; however, Miss Astor won that
year's New York Critics Award. When DODSWORTH was released on September 24, 1936, it generated excellent reviews and continues to do the same when revived in movie theatres and on television. Although little known today, it is probably one of the greatest motion pictures of the 1930's! |